The Knitters are John Doe, Exene Cervenka and DJ Bonebrake of the legendary punk band X, plus grammy winner Dave Alvin!
Apparently, they made a goof ball, side project recording that has been popular with a cult following, who, after 20 years clamouring for more, are finally able to enjoy The Modern Sounds of... The Knitters. A recent release includes Burning House of Love and Born To Be Wild. They are appearing this Sunday at Lee's.
I am a huuuuuuuuuuuuuuuuuuuuge fan of Exene's solo record. Which includes weird spoken word pieces as well as poetic songs with both country and punk stylings. I sing along with every sylable everytime. Can't wait to check out the collective in Toronto this weekend.
Thursday, April 27, 2006
i love tribute albums. i broke thru with wilco because of billy b and mermaid avenue. and now i am a nice big fat wilco fan (who regrets not getting up off her couch to go see them at lee's when i had the nxne pass). i also broke thru with pearl jam because of a tribute album - that cover of crazy mary by victoria williams is one of my favourite all time songs i think.
Neil Young's Heart of Gold
Shows distilled by Academy Award-winning director Jonathan Demme into the concert film Neil Young: Heart of Gold
The film captures the 60-year-old Young in grand form alongside such longtime musical comrades as Emmylou Harris, steel guitarist Ben Keith, keyboardist Spooner Oldham and Young's wife, Pegi, on backup vocals. "The idea evolved of doing a beautiful old dream concert," said Demme, an Oscar winner "...his dream venue, his dream fellow performers." Demme and Young are old friends themselves. They first collaborated in 1993.
The Globe and Mail Posted on Thursday, January 26, 2006
The film captures the 60-year-old Young in grand form alongside such longtime musical comrades as Emmylou Harris, steel guitarist Ben Keith, keyboardist Spooner Oldham and Young's wife, Pegi, on backup vocals. "The idea evolved of doing a beautiful old dream concert," said Demme, an Oscar winner "...his dream venue, his dream fellow performers." Demme and Young are old friends themselves. They first collaborated in 1993.
The Globe and Mail Posted on Thursday, January 26, 2006
Amer Diab
Amer Diab was right when he said not to worry about FINDING a harmony, that instead one "should just see where your voice lays." Before that, when I went out to check out his live show, he joked "here's something I've always wanted to say. THIS ONE is for the ladies..." which made me laugh and which made his girlfriend mad, since we were basically the crowd taking in the set.
I e-mailed him a few times while working on the review of his album for the Spill, and he was kind enough to give me a few music lessons. some of them were e-mail answers, once he came to my place with his guitar, and once i went to their place to sing in front of him...
What I learned was
1) rockstars are just guys who like soup
2) maybe one can just start hanging around with a guitarist
3) let it ring more
4) it's over when you say it's over
5) take as long as you want
I e-mailed him a few times while working on the review of his album for the Spill, and he was kind enough to give me a few music lessons. some of them were e-mail answers, once he came to my place with his guitar, and once i went to their place to sing in front of him...
What I learned was
1) rockstars are just guys who like soup
2) maybe one can just start hanging around with a guitarist
3) let it ring more
4) it's over when you say it's over
5) take as long as you want
Tuesday, April 25, 2006
Nik Tjelious is an expert freelance recording engineer living in Guelph, and working throughout Southern Ontario. The house engineer at Ken Whiteley's Casa Wroxton Studio in Toronto for the past twelve years, he also works in other studios and on location (in homes, rehearsal spaces, concert venues, clubs and even outdoors) and specializes in recording acoustic instruments He is also member of Jughead, the ultimate party band, via their infectious fusion of bluegrassm country and Maritime stylings. They scored a gold single with “Hocky Song” and released their DVD at the Legendary Horseshoe Tavern in January 2004.
On The Record -- Jimmy
James Paul is an expert engineer at the Rogue Studios and owner/operator of Rogue Folk Productions Ltd,. The company's clients have included Bare Naked Ladies, Alanis Morissette, Blue Rodeo, Kyp Harness, The Cash Brothers, Hawksley Workman and Jack Breakfast. A warm, relaxing creative atmosphere (the most inspiring kitchen table in Ontario), downright reasonable rates and unrivaled blend of unique instruments, vintage gear amid a museum quality collection of antique radios and other curiosities.
Q1. Are you looking for clients? How do you look for artists?
Q2. How do you work with a band they come to you?
Q3. What impact do you see as fewer and fewer industry people are in it for the art?
Q4. What impact does big biz consolidation have on the health of the music industry?
Q5. What impact does the down turn in the sales of prerecorded and prepackaged music have on your business?
Q6. What room is there room for the entrepreneur, person with a good idea, to break into business today?
Q7. What has changed since you moved from your Niagra Street location?
Q8. I have long held that the vibe in your permanent garage sale type studio is a tangible thing you can hear in the albums. Hawksley Workman called the Rogue an artist’s playground. Do you feel you mentored Hawksley Workman? How did that come to be? What is the impact/influence we could listen for?
Q9. What projects/acts have been your favourite to work on?
Q10. What is coming up?
Q1. Are you looking for clients? How do you look for artists?
Q2. How do you work with a band they come to you?
Q3. What impact do you see as fewer and fewer industry people are in it for the art?
Q4. What impact does big biz consolidation have on the health of the music industry?
Q5. What impact does the down turn in the sales of prerecorded and prepackaged music have on your business?
Q6. What room is there room for the entrepreneur, person with a good idea, to break into business today?
Q7. What has changed since you moved from your Niagra Street location?
Q8. I have long held that the vibe in your permanent garage sale type studio is a tangible thing you can hear in the albums. Hawksley Workman called the Rogue an artist’s playground. Do you feel you mentored Hawksley Workman? How did that come to be? What is the impact/influence we could listen for?
Q9. What projects/acts have been your favourite to work on?
Q10. What is coming up?
On The Record -- Anders
In Conversation with Andre Bourgeois
President and owner of Instinct Artist Management, an artist management company based in Nova Scotia. Bourgeois has extensive international experience related to touring, as well as distribution, licensing and label deals abroad. Bourgeois has been successfully managing recording acts for over 15 years. The company's clients currently include: singer/songwriter, multi-instrumentalist and award winner JP Cormier, Latin Jazz guitarist Robert Michaels Progressive pop band MIR.
Q1. Are you looking for artists?
A. I am always open to artists and new music I am a music fan at the end of the day - they usually look for me...or people like me who do what I do.
Q2. How do you work with a band when you first sign them?
A. Different acts require different things...either way I try and build a team around the act: agents, lawyer, accountant, labels, etc. All artists deserve a good manager...there are very few good managers. To me it is all about having a plan that goes beyond next month – if someone is not willing or able to think in terms of years; and plan and then work that way – I am not interested.
Q3. By few good managers do you mean that few people in the industry are in it for the art?
A. Yes - they can't afford to be and the industry doesn't really "allow" for it anyway...trying to squeeze the words "industry" and "art" in the same sentence and career plan is a problem anyway. If it's imperative that one make enough money from their art (music) to survive...then they need to be prepared to make sacrifices and compromises to be part of the industry. It sucks basically...until one is successful, then the compromises change a little...the challenge then becomes how do we maintain this success?
Q4. At what point do artists have to be willing to put together a team of professionals and get out of self-management?
A. It usually becomes very apparent...either nothing substantial is happening and nothing is moving forward in a meaningful way or things are happening and that becomes overwhelming and is clearly taking away from the most important thing – the music.
Q5. What do you make of the theory that "chicks sell tickets"
A. Sex sells yes but lots of major male artists have sold many tickets without chicks (this does not include their fans)...Elton John, Billy Joel, Rod Stewart, John Mayer, Pete Yorn. I think you'll actually find that there are a lot more male artists selling a lot more records and tickets than females...Britney, Madonna, Celine, Shania, etc. are the exceptions...look at hip hop and rap...look at hard rock and heavy metal...look at mainstream country. Again, I agree that sex sells in a certain context...sex does not sell James Taylor or Train or Elvis Costello...sex does help sell Justin Timberlake, Madonna, etc. I find that in this industry, ‘chicks’ are too often used, still, to sell music made by men...in videos, artwork, promotion, etc. I find it hard to watch a lot of videos these days that basically suggest to confirm the following: ‘You should want to be like me (person in the video) because regardless of how I might look or how ignorant I might be – I have scantily clad females all over and I have all sorts of material possessions like fancy cars and jewellery’. Where is any substance in this? The message is pretty empty.
Q6. How will the major labels today face the wake up call of not effectively understanding the popularity of music sharing and downloading from the internet?
A. The down turn in the music industry should really be referred to as a down turn in the sales of prerecorded and prepackaged music by record companies...touring is still strong, etc. etc. Fewer companies means fewer choices and options and greater control in the hands of fewer... bad bad time to be a major record company or working for one. The silver lining to this dark could is the opportunity it affords independent labels and artists.
Q7. Is there room for the new entrepreneur, person with a good idea, to break into business today?
A. There is always room for a good idea and so on but the times are a changing and the entire mode in which music is delivered and consumed is changing along with tv/computers/telephones... all slowly blending into one device and that will be the same device we watch, listen and buy our music through or on, we just aren't there yet. I think the time for a better informed artist is here. I think the time for a more creative and innovative manager is here too. The old model is just that, old
Q8. So who are the current label conglomerates, and what share of the market would each have?
A. With the merger of BMG and all its labels (i.e. – Arista, RCA, etc.) with Sony, this creates the largest label conglomerate: Sony/BMG. Next in size and market share would be Universal Music Group. These two giants are followed by Warner Music’s group of labels and EMI who are very close in size and market share depending on the territory. This ongoing conglomeration has resulted in a great amount of downsizing of facilities and staff. One of the first orders of business in these situations is to resolve any redundancy in the staffing positions of each company. The result has been global in scope. There are more out of work or looking for work, and/or early retired former music executives and middle management than there are those still employed by the major labels. This is the case in Canada and all the more the case in America and Europe.
Fewer major labels means fewer major label options and fewer people working there...fewer signings, shrinking rosters and a lot of job security paranoia serving as motivation for short term thinking and short term gains...not particularly good climate for artist or artist development.That is why more and more artists are finding a way to do things themselves
Q9. What shifts in that power paradigm can we expect?
A. We will see more and more independent labels and some will grow substantially. We will see more and more major artists running their own labels. The delivery system or vehicle for delivering and selling music, the CD, will slowly give way and erode... yielding to things like the internet, track by track digital distribution, singles will come back. Things will not get better before they get worse for music retail...they have the DVD to thank for keeping their doors open the last two years in many cases.
Q10. What product(s) should a musician envision releasing in a few years from now?
A. CD will still exist I think, for several years. The sale of single songs on line as downloads or delivered through some type of digital delivery system, such as a digital jukebox system that is incorporated with the overall home entertainment experience: TV, internet, DVD, phone and music...someday soon, that may all come through one wire and one system or via satellite to one playback system. Much of this has to do more with the delivery system and the system for play back than the music or the artists...when those two elements are caught up with each other...things will change quickly.
p.s. surprise Q: what can you tell me about the Guise?
A. How did you hear about The Guise? This was a free form musical experience that ran for a few years and had many member changes...the only constant being myself, my guitar and my simple recording gear in my basement.Hits included: ‘Shag Carpets’ (Rugs in General) ‘Death’ (You Burnt Me Bad) ‘Marriage’ (Is a Sacred Institution) ‘The River’ (Is All Things) ‘Dance Across Texas With You’ ‘Earth Toad’ and so on... a friend has ALL the Guise recordings at this time. I should get them and make sure they are preserved.
Instinct Artist Management 902-632-2149 p./902- 632-2468 f.1436 Highway 202, RR# 1 Hants County Gore, Nova Scotia, B0N 1P0, Canada
President and owner of Instinct Artist Management, an artist management company based in Nova Scotia. Bourgeois has extensive international experience related to touring, as well as distribution, licensing and label deals abroad. Bourgeois has been successfully managing recording acts for over 15 years. The company's clients currently include: singer/songwriter, multi-instrumentalist and award winner JP Cormier, Latin Jazz guitarist Robert Michaels Progressive pop band MIR.
Q1. Are you looking for artists?
A. I am always open to artists and new music I am a music fan at the end of the day - they usually look for me...or people like me who do what I do.
Q2. How do you work with a band when you first sign them?
A. Different acts require different things...either way I try and build a team around the act: agents, lawyer, accountant, labels, etc. All artists deserve a good manager...there are very few good managers. To me it is all about having a plan that goes beyond next month – if someone is not willing or able to think in terms of years; and plan and then work that way – I am not interested.
Q3. By few good managers do you mean that few people in the industry are in it for the art?
A. Yes - they can't afford to be and the industry doesn't really "allow" for it anyway...trying to squeeze the words "industry" and "art" in the same sentence and career plan is a problem anyway. If it's imperative that one make enough money from their art (music) to survive...then they need to be prepared to make sacrifices and compromises to be part of the industry. It sucks basically...until one is successful, then the compromises change a little...the challenge then becomes how do we maintain this success?
Q4. At what point do artists have to be willing to put together a team of professionals and get out of self-management?
A. It usually becomes very apparent...either nothing substantial is happening and nothing is moving forward in a meaningful way or things are happening and that becomes overwhelming and is clearly taking away from the most important thing – the music.
Q5. What do you make of the theory that "chicks sell tickets"
A. Sex sells yes but lots of major male artists have sold many tickets without chicks (this does not include their fans)...Elton John, Billy Joel, Rod Stewart, John Mayer, Pete Yorn. I think you'll actually find that there are a lot more male artists selling a lot more records and tickets than females...Britney, Madonna, Celine, Shania, etc. are the exceptions...look at hip hop and rap...look at hard rock and heavy metal...look at mainstream country. Again, I agree that sex sells in a certain context...sex does not sell James Taylor or Train or Elvis Costello...sex does help sell Justin Timberlake, Madonna, etc. I find that in this industry, ‘chicks’ are too often used, still, to sell music made by men...in videos, artwork, promotion, etc. I find it hard to watch a lot of videos these days that basically suggest to confirm the following: ‘You should want to be like me (person in the video) because regardless of how I might look or how ignorant I might be – I have scantily clad females all over and I have all sorts of material possessions like fancy cars and jewellery’. Where is any substance in this? The message is pretty empty.
Q6. How will the major labels today face the wake up call of not effectively understanding the popularity of music sharing and downloading from the internet?
A. The down turn in the music industry should really be referred to as a down turn in the sales of prerecorded and prepackaged music by record companies...touring is still strong, etc. etc. Fewer companies means fewer choices and options and greater control in the hands of fewer... bad bad time to be a major record company or working for one. The silver lining to this dark could is the opportunity it affords independent labels and artists.
Q7. Is there room for the new entrepreneur, person with a good idea, to break into business today?
A. There is always room for a good idea and so on but the times are a changing and the entire mode in which music is delivered and consumed is changing along with tv/computers/telephones... all slowly blending into one device and that will be the same device we watch, listen and buy our music through or on, we just aren't there yet. I think the time for a better informed artist is here. I think the time for a more creative and innovative manager is here too. The old model is just that, old
Q8. So who are the current label conglomerates, and what share of the market would each have?
A. With the merger of BMG and all its labels (i.e. – Arista, RCA, etc.) with Sony, this creates the largest label conglomerate: Sony/BMG. Next in size and market share would be Universal Music Group. These two giants are followed by Warner Music’s group of labels and EMI who are very close in size and market share depending on the territory. This ongoing conglomeration has resulted in a great amount of downsizing of facilities and staff. One of the first orders of business in these situations is to resolve any redundancy in the staffing positions of each company. The result has been global in scope. There are more out of work or looking for work, and/or early retired former music executives and middle management than there are those still employed by the major labels. This is the case in Canada and all the more the case in America and Europe.
Fewer major labels means fewer major label options and fewer people working there...fewer signings, shrinking rosters and a lot of job security paranoia serving as motivation for short term thinking and short term gains...not particularly good climate for artist or artist development.That is why more and more artists are finding a way to do things themselves
Q9. What shifts in that power paradigm can we expect?
A. We will see more and more independent labels and some will grow substantially. We will see more and more major artists running their own labels. The delivery system or vehicle for delivering and selling music, the CD, will slowly give way and erode... yielding to things like the internet, track by track digital distribution, singles will come back. Things will not get better before they get worse for music retail...they have the DVD to thank for keeping their doors open the last two years in many cases.
Q10. What product(s) should a musician envision releasing in a few years from now?
A. CD will still exist I think, for several years. The sale of single songs on line as downloads or delivered through some type of digital delivery system, such as a digital jukebox system that is incorporated with the overall home entertainment experience: TV, internet, DVD, phone and music...someday soon, that may all come through one wire and one system or via satellite to one playback system. Much of this has to do more with the delivery system and the system for play back than the music or the artists...when those two elements are caught up with each other...things will change quickly.
p.s. surprise Q: what can you tell me about the Guise?
A. How did you hear about The Guise? This was a free form musical experience that ran for a few years and had many member changes...the only constant being myself, my guitar and my simple recording gear in my basement.Hits included: ‘Shag Carpets’ (Rugs in General) ‘Death’ (You Burnt Me Bad) ‘Marriage’ (Is a Sacred Institution) ‘The River’ (Is All Things) ‘Dance Across Texas With You’ ‘Earth Toad’ and so on... a friend has ALL the Guise recordings at this time. I should get them and make sure they are preserved.
Instinct Artist Management 902-632-2149 p./902- 632-2468 f.1436 Highway 202, RR# 1 Hants County Gore, Nova Scotia, B0N 1P0, Canada
Scarlett Magazine
national business lifestyle magazine that celebrates the achievements of women and speaks to women who have embraced ambition and success as part of their personal and professional lives.
http://www.scarlett.ca/inprint/index.php
demographic:
60% bachelor degree
50% management
55% age 35-49
60% $50,000 - $75,000
80% own home
70% married/common law
60% adults only in household
national print run 60,000 copies
jul 2/03
http://www.scarlett.ca/inprint/index.php
demographic:
60% bachelor degree
50% management
55% age 35-49
60% $50,000 - $75,000
80% own home
70% married/common law
60% adults only in household
national print run 60,000 copies
jul 2/03
Kate Hollett
I can't tell you how empowering I find it to see such wonderfully moving portraits of new ideals. Thank you because I believe it is much easier to make dreams come true when you can clearly picture and hold the dream in your mind's eye, and your magazine has provided images that I was previously unable to find.
Having reinvented myself 4 years ago as an artist/writer, after a life in Marketing, Management and Customer Service in the Financial Services Industry, I also appreciate the values conveyed in View. And, I appreciate the environmental awareness and holistic tone of other pieces. Thank you for a fine magazine, and for such strong editorial content.
Made in Canada no less! Your efforts are appreciated!
-- Kim Logue, Toronto, ON published Scarlett Magazine, Summer 2003
* *
the article in the very first ever issue of Scarlett about her, pictures her in her loft, where i was flabbergasted to be invited in and shown around one day while babysitting plants and paperthin walls with my guitar at doppel's. soon after that i was myself featured in my apartment in eye.
* * *
The RBC Financial Group honoured 12 Canadian Contemporary Women Artists on Monday Feb 16, 2004. Kate Hollett was one of the selected Banker's Dozen!
"i am currently booking times for studio viewings (very casual) of my latest work. Although day time is better for the light, I have some space for evening visits. For more info, call or email as below" www.katehollett.com
***
Dear Kim,
I wanted to thank you for your kind gift and open hearted sentiments with regard to my artistic endeavours. I appreciate your friendship even if I do not alway shows my thanks immediately. I hope that this year is filled with knowledge, insight and purpose, and in the end love.
May all your dreams come true.
With love,
Kate
* * *
in my paper clean up i have found an ad i cut out of the paper for and "i love you."
an exhibition of the artistic epression of the words
"I Love You" by Kathy Hollett
Opening Apr 8 from 2-5pm
Paintings on display, Apr 6 - 12, 2001
by appointment only
Women's Art Association
23 Prince Arthur Avenue
416-778-4600
Sunday, April 23, 2006
my so-called life
what a great show!
do you remember the episode where jordan won't be seen with angela because she is too much a geek and he can't stand up to the peer pressure? finally at the end, right in front of all his friends he walks up to her and asks her "to go somewhere" and as they walk off together he takes her hand.
you can see his stregnth and resolve and you can see her elation in their walk. and you also witness the heart break of brian, the boy with a crush on her, as he watched in the hall too.
30 Seconds to Mars put me off actor dude, but i'm still a huge fan of claire danes (sp?)
http://www.soulshine.ca/reviews/liveReview.php?lrid=145
do you remember the episode where jordan won't be seen with angela because she is too much a geek and he can't stand up to the peer pressure? finally at the end, right in front of all his friends he walks up to her and asks her "to go somewhere" and as they walk off together he takes her hand.
you can see his stregnth and resolve and you can see her elation in their walk. and you also witness the heart break of brian, the boy with a crush on her, as he watched in the hall too.
30 Seconds to Mars put me off actor dude, but i'm still a huge fan of claire danes (sp?)
http://www.soulshine.ca/reviews/liveReview.php?lrid=145
did i tell you
how robert cray really warmed up to me (in the interview) after i told him i'd been to the birth place of howlin' wolf???
Tuesday, April 11, 2006
Titanium Punch
by Yashin Blake (ECW Press) 171 pages, $19.95 paper
This headbanging novel is so hot I’d sold my own copy, before I’d even had a chance to look at it. Hearing the author read, I’d gone out of body, surfed an actual slamming mosh pit and been drawn into the pulsating world of the fictional Heavy Metal band: Titanium Punch. I mean it, “Heads flew. I put mine over and banged. Scared myself.” Expect a loud raunchy racket upon opening the covers of this first novel, by the music columnist for Lola magazine. The content is, apparently, too hendrixicated even for the estate of Jimmy Hendrix.
What you can also expect to hear is the strong clear voice of the main character, as an isolated instrument that drowns out the ‘other noise that makes it metal’. It is a graceful exposition of urban living, from BMX bikes to gang encounters. During a summer of significant personal development (including falling in love with “the most intense knock out punch of a chick”), Isaac “Iqbal” Khan speaks in the universal spirit of respect, truth and (no kidding) enthusiasm. Hearing heavy metal music the way Blake plays it is sort of a homecoming. Like the blues “a long dead brother sang through scratches and hiss, sang through time” readers can, like Iqbal, be there “reaching one of those understanding that is mostly a feeling. A way of feeling.” Take it from someone who actually enjoys the old stuff, the Beatles “and other nightmare crap like that.” Titanium Punch is a well sequenced, well crafted collection of moments from an author who bridges the cultural chasms of race, religion, time and even, musical preference.
This headbanging novel is so hot I’d sold my own copy, before I’d even had a chance to look at it. Hearing the author read, I’d gone out of body, surfed an actual slamming mosh pit and been drawn into the pulsating world of the fictional Heavy Metal band: Titanium Punch. I mean it, “Heads flew. I put mine over and banged. Scared myself.” Expect a loud raunchy racket upon opening the covers of this first novel, by the music columnist for Lola magazine. The content is, apparently, too hendrixicated even for the estate of Jimmy Hendrix.
What you can also expect to hear is the strong clear voice of the main character, as an isolated instrument that drowns out the ‘other noise that makes it metal’. It is a graceful exposition of urban living, from BMX bikes to gang encounters. During a summer of significant personal development (including falling in love with “the most intense knock out punch of a chick”), Isaac “Iqbal” Khan speaks in the universal spirit of respect, truth and (no kidding) enthusiasm. Hearing heavy metal music the way Blake plays it is sort of a homecoming. Like the blues “a long dead brother sang through scratches and hiss, sang through time” readers can, like Iqbal, be there “reaching one of those understanding that is mostly a feeling. A way of feeling.” Take it from someone who actually enjoys the old stuff, the Beatles “and other nightmare crap like that.” Titanium Punch is a well sequenced, well crafted collection of moments from an author who bridges the cultural chasms of race, religion, time and even, musical preference.
Watermelon Row
M. Holmes
Who would use a misquoted stripper’s name from a Tom Waits’ song as the title for a new novel? Michael Holmes, that’s who. Why? Well, because it’s perfect. Watermelon Rose is the lyric misheard as Watermelon Row, explained by a main character to mean the front (perv row, right by the stage) at a nudie bar. Since this row is occupied by all three major characters, he names the perfect phrase to embody the lascivious ‘fuckedupedness’ of 24 hours in the lives of 3 self destructive men, an intense and thrilling whodunit. Holmes provides enrapturing portraits, gripping plot developments, graceful insights, and is, like Waits “a fuckin’ genius. a god-damned poet.”
Chances are you will hate all three of the main characters. But, the clarity of who and why they are, of their experience is so sharply and fully written that they and ‘the stench of their truth’ becomes irresistible. It is this ‘beautifully incongruous’ descriptive insight that redeems such ugly subjects; that makes reading Watermelon Row thrilling and enjoyable.
To make matters more discomforting, prepare to chuckle. Through relentless, brutal detail and forceful, flawless timing, you get kind of Quentin Tarantino meets John Irving doses of graphic and momentous hilarity. When I read about a morning coffee time for Scarface? A disgusting episode where he farts, possibly shits himself, unexpectedly pukes (in the ladies), falls around in it (and worse), then wonders if he’s just wiped his lips with his filthy hands? I found myself cringing and grinning. When he proceeds to wash up and get soap in his mouth and eyes, just before he notices a sickening swinging left over chunk of vomit in his hair? I was sickened but also found myself laughing, out loud, like a lunatic on the subway.
Have I mentioned the book’s raunchy cover? A conservative soul could be embarrassed to be found holding it upright, to be seen in public, carrying or looking at it. This is an especially important warning, because this book is a page turner. Not normally a fan of the genre, thriller, horror, whatever, I found myself carrying this book around and reading it everywhere: in line at the bank, in stolen moments at family functions and between business meetings. Repeatedly, having just arrived somewhere, I found myself holding the book up to someone, enthusiastically pointing at it, grinning and saying “this is a GREAT book.” Only to have them take in the cover, and look at me with a little new found shock or dismay. It’s ugly, it is. but it is also a great read.
Who would use a misquoted stripper’s name from a Tom Waits’ song as the title for a new novel? Michael Holmes, that’s who. Why? Well, because it’s perfect. Watermelon Rose is the lyric misheard as Watermelon Row, explained by a main character to mean the front (perv row, right by the stage) at a nudie bar. Since this row is occupied by all three major characters, he names the perfect phrase to embody the lascivious ‘fuckedupedness’ of 24 hours in the lives of 3 self destructive men, an intense and thrilling whodunit. Holmes provides enrapturing portraits, gripping plot developments, graceful insights, and is, like Waits “a fuckin’ genius. a god-damned poet.”
Chances are you will hate all three of the main characters. But, the clarity of who and why they are, of their experience is so sharply and fully written that they and ‘the stench of their truth’ becomes irresistible. It is this ‘beautifully incongruous’ descriptive insight that redeems such ugly subjects; that makes reading Watermelon Row thrilling and enjoyable.
To make matters more discomforting, prepare to chuckle. Through relentless, brutal detail and forceful, flawless timing, you get kind of Quentin Tarantino meets John Irving doses of graphic and momentous hilarity. When I read about a morning coffee time for Scarface? A disgusting episode where he farts, possibly shits himself, unexpectedly pukes (in the ladies), falls around in it (and worse), then wonders if he’s just wiped his lips with his filthy hands? I found myself cringing and grinning. When he proceeds to wash up and get soap in his mouth and eyes, just before he notices a sickening swinging left over chunk of vomit in his hair? I was sickened but also found myself laughing, out loud, like a lunatic on the subway.
Have I mentioned the book’s raunchy cover? A conservative soul could be embarrassed to be found holding it upright, to be seen in public, carrying or looking at it. This is an especially important warning, because this book is a page turner. Not normally a fan of the genre, thriller, horror, whatever, I found myself carrying this book around and reading it everywhere: in line at the bank, in stolen moments at family functions and between business meetings. Repeatedly, having just arrived somewhere, I found myself holding the book up to someone, enthusiastically pointing at it, grinning and saying “this is a GREAT book.” Only to have them take in the cover, and look at me with a little new found shock or dismay. It’s ugly, it is. but it is also a great read.
Nope
Getting Up The Rent, Independent
‘I lost my job, I lost my friends’ loses listeners instantly, as opening lines. What is a great little loser? A strained vocal, and boring rudimentary musicianship and a distinctly garage-style production (but not in the esteemed tradition). I can put my finger on it, the reason they’re insecure: listening to this record is damaging to your psychology, as well as unpleasant sounding. In a way it reminds me of the rehearsals my friends were having in grade 10. Don’t get me wrong, all these years later, many of those guys are musical celebrities and successes. But that was then, and it wasn’t being recorded. Here and now, there’s an earnestness at least, and effort at diversity, and thankfully, eventually a cheerful let the good times roll track. There’s also the wherewithall to get an album written and recorded and distributed. But, cousins from Texas? Say nope, to Nope, and wish them better luck next time.
‘I lost my job, I lost my friends’ loses listeners instantly, as opening lines. What is a great little loser? A strained vocal, and boring rudimentary musicianship and a distinctly garage-style production (but not in the esteemed tradition). I can put my finger on it, the reason they’re insecure: listening to this record is damaging to your psychology, as well as unpleasant sounding. In a way it reminds me of the rehearsals my friends were having in grade 10. Don’t get me wrong, all these years later, many of those guys are musical celebrities and successes. But that was then, and it wasn’t being recorded. Here and now, there’s an earnestness at least, and effort at diversity, and thankfully, eventually a cheerful let the good times roll track. There’s also the wherewithall to get an album written and recorded and distributed. But, cousins from Texas? Say nope, to Nope, and wish them better luck next time.
Tenth Planet
Tenth Planet, EP
Tenth planet have a pretty hard guitar sound, and you better be able to take a little melodrama and extra echo in your vocal – Axel Rose anyone (or maybe Gowan if you’re grumpy)? The hype on this Toronto based, alternative rock act is over done. They do have intensity and passion. And an award from Umbrella Music for an MP3 submission, which was followed by Indigo Books putting this “fantastic debut disc” for sale in their Toronto stores. Since then the band has played major clubs in Toronto and scored the opening spot for Jim Cuddy over the summer at the Horseshoe. The singer doesn’t play, though he co-writes (between television commercials) and has a pleasing voice and style. But the founding guitarist ain’t too prolific - it takes a long time between projects, and so far both records are super short, with one song recycled and used for both EPs (which comes without a track listing). This disc is enjoyable, but I’m curious if and when we’ll hear from these fellas again.
Tenth planet have a pretty hard guitar sound, and you better be able to take a little melodrama and extra echo in your vocal – Axel Rose anyone (or maybe Gowan if you’re grumpy)? The hype on this Toronto based, alternative rock act is over done. They do have intensity and passion. And an award from Umbrella Music for an MP3 submission, which was followed by Indigo Books putting this “fantastic debut disc” for sale in their Toronto stores. Since then the band has played major clubs in Toronto and scored the opening spot for Jim Cuddy over the summer at the Horseshoe. The singer doesn’t play, though he co-writes (between television commercials) and has a pleasing voice and style. But the founding guitarist ain’t too prolific - it takes a long time between projects, and so far both records are super short, with one song recycled and used for both EPs (which comes without a track listing). This disc is enjoyable, but I’m curious if and when we’ll hear from these fellas again.
Perfect Circle
Thirteenth Step, Virgin Records America Inc., EMI
If you like Tool, Primus, Marilyn Manson, or the Smashing Pumpkins then you’re one of few who have both heard of, and want to like Perfect Circle. A so-called supergroup of veteran musicians whose "winding, off-kilter rhythms and contrapuntal guitar riffs" are oft praised. But, I sorta feel about this, their second record the way I felt about the first record and the time I saw them live -- I want to like them, but can’t. Maynard, who sings, writes, produced, executive produced and directed the art work for this release, is a well liked neighbourhood celebrity in a small Arizona town I often visit, and adore – but I just can’t get into the band. Their music just doesn’t do it for me, and this album is no exception. There are highlights, track 2 “Weak and Powerless” no surprise as the first single and “Gravity” are atmospheric with enticingly unique lyrics clearly heard. Overall, an unlucky thirteen for the latest recruits in an all-star cast that sound remarkably tight but lack genuine chemistry.
If you like Tool, Primus, Marilyn Manson, or the Smashing Pumpkins then you’re one of few who have both heard of, and want to like Perfect Circle. A so-called supergroup of veteran musicians whose "winding, off-kilter rhythms and contrapuntal guitar riffs" are oft praised. But, I sorta feel about this, their second record the way I felt about the first record and the time I saw them live -- I want to like them, but can’t. Maynard, who sings, writes, produced, executive produced and directed the art work for this release, is a well liked neighbourhood celebrity in a small Arizona town I often visit, and adore – but I just can’t get into the band. Their music just doesn’t do it for me, and this album is no exception. There are highlights, track 2 “Weak and Powerless” no surprise as the first single and “Gravity” are atmospheric with enticingly unique lyrics clearly heard. Overall, an unlucky thirteen for the latest recruits in an all-star cast that sound remarkably tight but lack genuine chemistry.
The Red West
The Red West, Atlantic
I don’t know about you but I sure prefer an album that gets better with repeated listens, as opposed to one that loses power, and that’s what this album is. The Goodies from North Carolina meet Hawksley Workman. Trip Shakespeare mixed with Suffer Machine. Horns. There’s something they put in the water in Orange County, I’m sure of it. Lots of noise and effects provide a party feel, but there’s good musicianship and a simple musical sincerity as well. Like The Red Hot Chili Peppers in rain, or something. I find it hard to believe these breezy surf soundscapes, with jam band joy, are to be filed under Alternative Rock. It makes sense to me that they’ve opened for Counting Crows and Dave Matthews and draw vocal comparisons to Bono. After they opened for sold out Silverchair shows in Toronto, they’re a lesson here for indie musicians: The Red West released their self titled album independently last year and Atlantic’s version has been re-mixed and re-mastered and features just one new song. They made it themselves, and it is good.
I don’t know about you but I sure prefer an album that gets better with repeated listens, as opposed to one that loses power, and that’s what this album is. The Goodies from North Carolina meet Hawksley Workman. Trip Shakespeare mixed with Suffer Machine. Horns. There’s something they put in the water in Orange County, I’m sure of it. Lots of noise and effects provide a party feel, but there’s good musicianship and a simple musical sincerity as well. Like The Red Hot Chili Peppers in rain, or something. I find it hard to believe these breezy surf soundscapes, with jam band joy, are to be filed under Alternative Rock. It makes sense to me that they’ve opened for Counting Crows and Dave Matthews and draw vocal comparisons to Bono. After they opened for sold out Silverchair shows in Toronto, they’re a lesson here for indie musicians: The Red West released their self titled album independently last year and Atlantic’s version has been re-mixed and re-mastered and features just one new song. They made it themselves, and it is good.
Small Brown Bike
The River Bed, Small Man Records
Apparently, you can buy a house in Winnipeg for a dollar, and I hope these guys on their current label own entire subdivisions. They should -- they really kick! Small Brown Bike was originally born in a garage in Marshall Michigan (both as a band and its name sake – a Frankenstein bike made out of old and new parts) and they’ve sold over 25,000 albums by touring continually over the last 2 years.
The fierce melodies and consistently engaging, intelligent lyrics of these four lifelong friends remind me of the good old days when Husker Du was always blaring in my walkman headphones. Finally, an MTV, skateboard/wakeboard/sports video band with melodic, catchy songs. An original quartet (including brothers) that keeps an edge, with dissonance and raw energy, used in varied, intelligent and interesting song structures. Bass, drums and 2 guitars, with nothing extra for 10 tracks? Yup, that’s all it takes. I recommend this album – not only is it impressive right away, but with repeated listens – it gets better, bigger, fuller. I can’t wait to hear what they come out with next.
Apparently, you can buy a house in Winnipeg for a dollar, and I hope these guys on their current label own entire subdivisions. They should -- they really kick! Small Brown Bike was originally born in a garage in Marshall Michigan (both as a band and its name sake – a Frankenstein bike made out of old and new parts) and they’ve sold over 25,000 albums by touring continually over the last 2 years.
The fierce melodies and consistently engaging, intelligent lyrics of these four lifelong friends remind me of the good old days when Husker Du was always blaring in my walkman headphones. Finally, an MTV, skateboard/wakeboard/sports video band with melodic, catchy songs. An original quartet (including brothers) that keeps an edge, with dissonance and raw energy, used in varied, intelligent and interesting song structures. Bass, drums and 2 guitars, with nothing extra for 10 tracks? Yup, that’s all it takes. I recommend this album – not only is it impressive right away, but with repeated listens – it gets better, bigger, fuller. I can’t wait to hear what they come out with next.
Howie Day
Stop All The World Now, Epic Records
This is a collection of 11 upbeat and lively pop songs about falling in love and the perfect time of day, from a cute kid with a nice voice, and great range. After winning the 2003 Boston Music Awards for "Debut Album of the Year” this singer/songwriter chose an education opening for Tori Amos on tour, instead of heading off to college. Admiring how hard she works and learning from how she carries herself as an artist, Day says the most important wisdom garnered was how crucial it is to stay true to your artistic vision, especially when you record. A timely lesson, given that shortly thereafter he found himself in the process of adding a 25 piece orchestra to several songs from his award winning, previous (demo quality) release “Australia.” And, working with producers of The Verve, Crowded House, recording at Olympic Studios in London, England, and mixing with yet another powerhouse of talent made possible by his major label deal. Howie Day deserves the financial and business backing he’s received for this project, and uses it to deliver a record we can learn from, and enjoy.
This is a collection of 11 upbeat and lively pop songs about falling in love and the perfect time of day, from a cute kid with a nice voice, and great range. After winning the 2003 Boston Music Awards for "Debut Album of the Year” this singer/songwriter chose an education opening for Tori Amos on tour, instead of heading off to college. Admiring how hard she works and learning from how she carries herself as an artist, Day says the most important wisdom garnered was how crucial it is to stay true to your artistic vision, especially when you record. A timely lesson, given that shortly thereafter he found himself in the process of adding a 25 piece orchestra to several songs from his award winning, previous (demo quality) release “Australia.” And, working with producers of The Verve, Crowded House, recording at Olympic Studios in London, England, and mixing with yet another powerhouse of talent made possible by his major label deal. Howie Day deserves the financial and business backing he’s received for this project, and uses it to deliver a record we can learn from, and enjoy.
Rasing The Fawn
By The Warmth Of Your Flame, Sonic Unyon
If you like Grant Lee Phillips/Grant Lee Buffalo, then you will enjoy this interim release by Raising the Fawn. The EP, released November 4, is a stop gap measure they invented to bridge the gap between who they are now and who they used to be – who they were before half the band left, who they were while recording a full length album. Suffice to say that John Crossingham and Scott Remile (both of Broken Social Scene) will be the first to remind us that relationships and bands don’t mix. The replacement of two former members with just a new drummer benefits us however, as we can now enjoy this pleasant, atmospheric and intriguing collection of 4 songs plus an intro track. Basically, a half hour of broad, interesting and appealing music with sweet melodic singing, to listen to as we watch for trio tour dates. This project certainly creates interest in the forthcoming album – The North Sea, and we should be enjoying such plucky use of the banjo and organ, while humming bars of ‘Country Home,’ until then.
If you like Grant Lee Phillips/Grant Lee Buffalo, then you will enjoy this interim release by Raising the Fawn. The EP, released November 4, is a stop gap measure they invented to bridge the gap between who they are now and who they used to be – who they were before half the band left, who they were while recording a full length album. Suffice to say that John Crossingham and Scott Remile (both of Broken Social Scene) will be the first to remind us that relationships and bands don’t mix. The replacement of two former members with just a new drummer benefits us however, as we can now enjoy this pleasant, atmospheric and intriguing collection of 4 songs plus an intro track. Basically, a half hour of broad, interesting and appealing music with sweet melodic singing, to listen to as we watch for trio tour dates. This project certainly creates interest in the forthcoming album – The North Sea, and we should be enjoying such plucky use of the banjo and organ, while humming bars of ‘Country Home,’ until then.
The Toasters
In Retrospect, STOMP Records/Megalith Records (dist by Sonic Unyon)
I thought the rule of thumb with Ska was that you can’t wrong. And I’ll continue to hope that this is true of the live version of this New Jersey group. They certainly look like they could handle any tough crowd. And they have logged a staggering 4,000 live concert appearances on stages all around the world. Formed on the lower east side of Manhattan in 1981, they now hold the dubious title of America’s longest running Ska band. The ‘best of’ record has very little going for it, besides a great band logo and the marketing slogan ‘Up With Ska.” Did you notice how many partners it takes to trek this record? Well travelled maybe, but laden with far too many tracks, and all of them lack an edge or depth. Too much sax too smooth? It’s possible, and the toasters toast it, you can trust me.
I thought the rule of thumb with Ska was that you can’t wrong. And I’ll continue to hope that this is true of the live version of this New Jersey group. They certainly look like they could handle any tough crowd. And they have logged a staggering 4,000 live concert appearances on stages all around the world. Formed on the lower east side of Manhattan in 1981, they now hold the dubious title of America’s longest running Ska band. The ‘best of’ record has very little going for it, besides a great band logo and the marketing slogan ‘Up With Ska.” Did you notice how many partners it takes to trek this record? Well travelled maybe, but laden with far too many tracks, and all of them lack an edge or depth. Too much sax too smooth? It’s possible, and the toasters toast it, you can trust me.
The Wes Hollywood Show
Moonraker, Label
Now, for the first time on earth comes an album you’ll enjoy, if you like Red Kross or Fountains of Wayne. Not to be confused with the band distributed by Maple Music, Moonraker the album, by a power pop act from Chicago, delivers driven, well crafted songs from an Elvis Costello look and sound alike. Dynamic, diverse song structures with groove, thrust, and interesting phrasing provide “instant appeal” like the never losing its punch novelty lyric “handsome, wealthy and hung.” Wes Hollywood plays a heavy guitar, with a new wave influence. But holds back lyrics in the liner notes, with nary even a track listing! It’s a good album, it really is. Solid action is a great sound. But c’mon guys, you’re smithereens-y, do you really expect us to go on just the groovy-pics-of-you graphics, the thanks and our play buttons? We want words too.
Now, for the first time on earth comes an album you’ll enjoy, if you like Red Kross or Fountains of Wayne. Not to be confused with the band distributed by Maple Music, Moonraker the album, by a power pop act from Chicago, delivers driven, well crafted songs from an Elvis Costello look and sound alike. Dynamic, diverse song structures with groove, thrust, and interesting phrasing provide “instant appeal” like the never losing its punch novelty lyric “handsome, wealthy and hung.” Wes Hollywood plays a heavy guitar, with a new wave influence. But holds back lyrics in the liner notes, with nary even a track listing! It’s a good album, it really is. Solid action is a great sound. But c’mon guys, you’re smithereens-y, do you really expect us to go on just the groovy-pics-of-you graphics, the thanks and our play buttons? We want words too.
Pearl Jam
Fans clamouring for rarities and b-sides won’t be disappointed by the arrival of long awaited and oft falsely rumoured collection. Every dog has its day and these 30 songs comprise a double cd collection of material never before released on a Pearl Jam album. Almost half have never been released anywhere, creating a fairly balanced track listing -- equally praised and maligned by internet fans, some who wanted a bit more of the already released b-sides, others who wanted all totally unreleased material, from an extensive library of songs.
For the rest of us, it seems disjointed, and inconsistent. And it’s missing the Victoria Williams cover from the Sweet Relief album which is awesome. But, it is worth owning for the art work and several really strong pieces on the second disk. Like Hard to Imagine, an amazing lo fi ballad, Dead Man, a haunting acoustic number, originally written for the movie Dead Man Walking, and Driftin, a simple country strum with only Vedder appearing. Let Me Sleep (It's Xmas Time) with just bongos, some guitars, and voice, a welcome addition to the holiday spins. And finally, of course one must have always have instant access to the wildly popular cover from the No Boundaries benefit, Last Kiss.
For the rest of us, it seems disjointed, and inconsistent. And it’s missing the Victoria Williams cover from the Sweet Relief album which is awesome. But, it is worth owning for the art work and several really strong pieces on the second disk. Like Hard to Imagine, an amazing lo fi ballad, Dead Man, a haunting acoustic number, originally written for the movie Dead Man Walking, and Driftin, a simple country strum with only Vedder appearing. Let Me Sleep (It's Xmas Time) with just bongos, some guitars, and voice, a welcome addition to the holiday spins. And finally, of course one must have always have instant access to the wildly popular cover from the No Boundaries benefit, Last Kiss.
Great Escape
Horseshoe Tavern, $8, Wed. May 14, ‘03
These guys play tight, fast, busy and groovy. With original tunes and an original sound they call “the high lonesome sound of the south, blended with the rugged cold of our northern landscape” seeing this group live was a pleasant surprise. Appearing in support of their first self-titled debut cd (which can be heard on-line at www.greatescape.com) the boys delivered a show that their web sound doesn’t do justice to.
Originally from Hamilton, with great haircuts and groovy cowboy shirts to go with their sweet keys and guitars, they attracted a good crowd of friends (and friends of friends) for their initial showcase gig. Performing in their now native Toronto, the band was “rewarded” by the legendary Horseshoe tavern for their successful draw (in typical music scene fashion) with delay after misinformed delay, in the evening’s mixed up five band line up. However, Great Escape remained a profession model of maturity and when they finally took the stage, they delivered such an exciting brand of high energy, infectious, soul music -- a mix of rock and roll, and funky country -- that new fans couldn’t resist dancing, even on their over tired legs.
These guys play tight, fast, busy and groovy. With original tunes and an original sound they call “the high lonesome sound of the south, blended with the rugged cold of our northern landscape” seeing this group live was a pleasant surprise. Appearing in support of their first self-titled debut cd (which can be heard on-line at www.greatescape.com) the boys delivered a show that their web sound doesn’t do justice to.
Originally from Hamilton, with great haircuts and groovy cowboy shirts to go with their sweet keys and guitars, they attracted a good crowd of friends (and friends of friends) for their initial showcase gig. Performing in their now native Toronto, the band was “rewarded” by the legendary Horseshoe tavern for their successful draw (in typical music scene fashion) with delay after misinformed delay, in the evening’s mixed up five band line up. However, Great Escape remained a profession model of maturity and when they finally took the stage, they delivered such an exciting brand of high energy, infectious, soul music -- a mix of rock and roll, and funky country -- that new fans couldn’t resist dancing, even on their over tired legs.
Fountains of Wayne
Horseshoe Tavern, $13.50, Thurs. Sept. 18/03
This New York based indie group play fast, loud and hard, with clear, clever lyrics. A true pop powerhouse – a Sloan meets Great Escape kind of band, touring in support of their 3rd album “Welcome Interstate Managers” there was really no stage banter. But there was no delay at all between songs, just four hot, cute, intense boys, in their t-shirts and jeans really givin’ ‘er on the guitars and drums. It was good to be in the Horseshoe with a full crowd, even if my feet did stick to the floor. The crowd was mixed up, in age and style. While the ad and tickets say 100% smoke free, there were people smoking cigarettes, and there was definitely the smell of pot. See what I mean about the audience? And while we could all relate to how Stacy’s mom has got it going on, and to a guy who has cried because he couldn’t get a date for the prom, I couldn’t understand why they didn’t at least explain the place in New Jersey they’re named for. Any chatter at all would have been a welcome addition to an evening of well executed tunes.
This New York based indie group play fast, loud and hard, with clear, clever lyrics. A true pop powerhouse – a Sloan meets Great Escape kind of band, touring in support of their 3rd album “Welcome Interstate Managers” there was really no stage banter. But there was no delay at all between songs, just four hot, cute, intense boys, in their t-shirts and jeans really givin’ ‘er on the guitars and drums. It was good to be in the Horseshoe with a full crowd, even if my feet did stick to the floor. The crowd was mixed up, in age and style. While the ad and tickets say 100% smoke free, there were people smoking cigarettes, and there was definitely the smell of pot. See what I mean about the audience? And while we could all relate to how Stacy’s mom has got it going on, and to a guy who has cried because he couldn’t get a date for the prom, I couldn’t understand why they didn’t at least explain the place in New Jersey they’re named for. Any chatter at all would have been a welcome addition to an evening of well executed tunes.
Luther Wright and The Wrongs
Returning from another hard tour any day now, Luther Wright and the Wrongs totally rock. Their on-line store is open (www.lutherwright.com), so get ready to try internet shopping there. They are such a heapin’ helping of boogie woogie it just figures that they’ve already done a kids album or two AND have a very funny song about the P.O.T. These guys – former Weeping Tile members, recognized as Sarah Harmer alumni – are amazing live.
An alt-country punk grass collective, that has oft featured Burke Carroll, one of Canada’s finest pedal steel players. As at Hillside Festival 2003, where lots of little kids were up dancing along with the adults. At Nathan Phillips Square summer lunchtime concert, shortly thereafter they had a fiddle chick from Ohio with them instead, and only a crazy lady or two dancing in front of the stage.
Hot, in his polyester clothes, the cutie pie lead singer did a good job of promoting CDs, which are also distributed through Maple Music. All of the band members are strong players, and just plain cool in their own Hatfield or McCoy looking way. Pictured in Eye magazine the day before the departure gig at the Horseshoe, these guitar picking martyrs have been gone too long! I can’t wait to see them at the Shoe again, and trust their fun loving momentum to move my dancing shoes.
An alt-country punk grass collective, that has oft featured Burke Carroll, one of Canada’s finest pedal steel players. As at Hillside Festival 2003, where lots of little kids were up dancing along with the adults. At Nathan Phillips Square summer lunchtime concert, shortly thereafter they had a fiddle chick from Ohio with them instead, and only a crazy lady or two dancing in front of the stage.
Hot, in his polyester clothes, the cutie pie lead singer did a good job of promoting CDs, which are also distributed through Maple Music. All of the band members are strong players, and just plain cool in their own Hatfield or McCoy looking way. Pictured in Eye magazine the day before the departure gig at the Horseshoe, these guitar picking martyrs have been gone too long! I can’t wait to see them at the Shoe again, and trust their fun loving momentum to move my dancing shoes.
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